femdom dungeon play

In my femdom dungeon my slave’s beg for mercy but find there is none,

Each time they do not follow my order’s.

I make the suffering  he feel’s at the swat of my paddle even

sweeter as I humiliate him while making fun of how small and pathetic

his cock is.  What a silly slave actually trying to make his own decision’s.

I showed him my wraith and he showed me a broken shell of a man in return.

What a depraved little thing he is grabbing at him self like that in front of my domina

friend’s! I am excited to say he will behave now.

Veronika

1*888*430*2010

Femdom Dungeon Phone Sex, And Why The Room Matters

Most sessions on this site happen nowhere in particular. This one happens somewhere, and the somewhere does a great deal of the work.

Femdom dungeon phone sex is built out of a described space: what is on the walls, what the floor is, what is in the corner that she has not mentioned yet. Men underestimate how much a room adds until they have had one.

She Will Walk You Through It

Slowly, before anything happens. What you can see from the doorway. What is hanging up. What is on the bench. What the air is like.

Being given the whole room and then made to wait in it does more than any single thing that happens afterwards, because now everything in it is a possibility.

The Thing She Does Not Explain

Every good dungeon session has one item described and then left alone. She mentions it, she does not say what it is for, and she does not come back to it.

You will think about it for the rest of the hour. That is the entire purpose and it costs her one sentence.

Being Made To Wait In It

She will leave you there. Told where to stand or kneel, told not to move, and then nothing for considerably longer than is comfortable.

The room does the work while she is gone. That is why she built it first, and it is why the waiting stretch is the part men come back for rather than anything she does when she returns.

Sound As The Whole Toolkit

On a phone she has nothing but sound and a competent Mistress uses it deliberately. Footsteps on a hard floor. Something metal set down. A chain moving. A door.

None of it needs describing afterwards. You hear it, you place it in the room she built, and your imagination does the rest far better than she could.

Undressing, Instructed

Almost every one of these starts with it and it is deliberately slow. What comes off, in what order, where it goes, and how long you stand there afterwards.

Men rush this on their own and she will send you back to do it properly, which is itself the first correction of the session and sets the tone for everything after.

Being Positioned

Then she puts you somewhere. Kneeling, against a wall, over a bench, arms where she says. And then she leaves you in it while she does something else.

Holding a position for any length of time is real work. Doing it because somebody told you to, with nothing enforcing it, is the mechanism the whole site runs on and the dungeon is where it is most obvious.

What Actually Happens In There

Less than men expect. A good dungeon session is mostly atmosphere, waiting, positioning and inspection, with relatively little in the way of events.

That is not her being lazy. Once things start happening the anticipation is spent, and anticipation is what a room this heavily described exists to produce.

The Inspection

Standing still while she goes over you slowly and says what she finds, without urgency and with no particular interest in how it feels to be looked at that way.

She will find things wrong and state them plainly rather than cruelly, which is worse, because a plain statement gives you nothing to push against.

Where It Goes From There

Anywhere. The dungeon is a frame rather than a fetish, and almost everything else on this site fits inside it. Bondage, flogging, worship, interrogation, service, humiliation and chastity all sit naturally in a room like that.

Say what you actually want to happen and she will build the room around it rather than the other way round.

Why A Described Room Beats A Real One

Because nothing has to look like anything. There is no budget, no travel, nobody seeing you, and no gap between what you imagined and what is actually there.

Men who have been to real dungeons say the described version reaches places the real one does not, largely because the imagination has no constraints and no lighting problems.

The First Time You Are Told To Kneel

It arrives earlier than you expect and it is usually said quietly rather than barked. Most men do it before deciding to, and the noticing is the whole experience compressed into one second.

Everything after that is the same mechanism at increasing weight, and she knows exactly how much weight you will take.

Coming Out Of The Room

She will end it properly. The room gets closed, you get put back together, and the voice comes back to normal before the call finishes.

A session built this heavily on atmosphere needs the atmosphere taking down at the end, and any Mistress worth ringing does that without being asked.

Her Dungeon Or A Fictional One

She can describe a real room she has used, or build one for you, and men have strong preferences once they know it is a choice.

A real one comes with details nobody invents: where the damp is, which light does not work, what the floor does to your knees. A built one can be exactly what you wanted. Ask which she is giving you, because a real room described by somebody who has stood in it is a noticeably different experience.

Cold, Damp And Other Unglamorous Details

The parts that make it believable. Stone is cold and stays cold. Concrete takes the warmth out of you. The air smells of something. Nothing about a real dungeon is comfortable and the discomfort is most of the atmosphere.

A Mistress who only describes equipment is describing a shop. One who tells you what the floor is doing to your knees after ten minutes is describing a place, and you will be in it.

Being Left Alone With The Sounds

The stretch men remember. She goes, and the room does not. There is still something moving, something dripping, something settling, and none of it is explained.

It is the cheapest thing she does and the most effective. Nothing is happening to you at all and you will be more tense at the end of those five minutes than at any other point in the hour.

Equipment She Mentions And Never Uses

Deliberate, and it runs through the whole session. Things get named on the way in and never come up again. A hook. A frame. Something in the corner under a cloth.

Every one of them stays live in your head for the entire call. She spent four words on it and it works on you for an hour, which is a better return than anything she could actually do with it.

Why Men Ring For A Room Rather Than An Act

Because the room implies everything without committing to any of it. A dungeon is a place where anything might happen, and might is considerably more powerful than does.

Men who have worked through the ordinary repertoire and found each individual act has a ceiling usually end up here, because atmosphere does not have one. There is always more room in a room.

Starting

Ring <?= 1-888-430-2010 ?> and say dungeon. Say one thing you want in the room and she will build the rest of it around that.

Everyone available is listed at dominatrix phone sex.